The Doors of Perception
&, Heaven and HellBook - 2009
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Draperies, as I had now discovered, are much more than devices for the introduction of non-representational forms into naturalistic painting and sculptures. For the artist as for the mescalin taker, draperies are living hieroglyphs that stand in some peculiarly expressive way for the unfathomable mystery of pure being. To what they owe this privileged status, I cannot say. Is it, perhaps, because the forms of folded drapery are so strange and dramatic that they catch the eye and in this way force the miraculous fact of sheer existence upon the attention?
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